The hypnotherapy recording they never play

The session goes well. They come out of it slow and soft and a bit surprised at themselves. You talk for a few minutes, you book the next one, and as they are putting their coat on you say you will email over the recording, and that the main thing is to listen to it once a day.

They say yes. They mean it.

Two weeks later they are back in the chair and you ask how they got on with it, and there is a small pause before they answer. You already know what the pause means.

It's almost never that they didn't care

This is the part worth being fair about. The people who book a course of sessions with you have already paid, already taken an afternoon off, already told somebody they were doing something about it. They're not the sort to shrug.

What actually happened is duller than that.

The file went into an inbox that gets sixty other things a day. By Wednesday it was four screens down. On the phone it either would not play or it opened something that wanted an account. They meant to do it after work, and after work turned into the washing up. By day nine they felt bad enough about not having started that opening it began to feel like an admission, so they left it, and then they came to see you and hoped you would not ask.

None of that is a motivation problem. It is a filing problem wearing a motivation problem's coat.

There's a fifth reason, and it's the pettiest of the lot. A forty-minute recording is often bigger than the twenty-five megabytes most mail providers will carry, so your email went out as a link to a storage service instead, and the storage service asked your client to sign in to an account they don't have, on a phone, at ten at night. A file-size limit set by a mail company decided whether somebody did their between-session work, and the person who felt bad about it was the client.

The bit that really stings

Half past nine, going back through sent mail to work out who was sent what.
Half past nine, going back through sent mail to work out who was sent what.

You can't see any of it.

You don't know whether they listened eleven times and nothing shifted, or whether they never opened it at all. Those are two completely different conversations and you're walking into the room without knowing which one you're having. So you ask, gently, and they answer in the way people answer when they are embarrassed, and you spend the first ten minutes of a paid session doing detective work instead of the thing they came for.

What it costs if you leave it alone

Ten minutes a session, across a caseload, is most of a working day a month. That is the smallest part of it.

The bigger part is that you slowly stop offering the recordings. Not as a decision. You just mention it less, because you've watched it not work often enough, and the thing you were most confident about is quietly no longer part of what you do.

Then there's the programme you have never built. The six-week thing you've taught one to one dozens of times and could sell to twenty people at once. You don't start it, because if a single audio file sent to a single person can't survive two weeks in an inbox, you already know what six weeks of material would do, and you'd rather not find out on twenty people at the same time.

Give the recording an address instead of an attachment

The client's side. Everything you have given them, on one screen.
The client's side. Everything you have given them, on one screen.

What follows is one dull change: the recording stops being a file you send and becomes a place they log in to. Justine Lette, who runs Hypnosis New Zealand, moved for a duller reason still - she was paying over $100 a month elsewhere and using a fraction of what it did.

One place they log in. Their name on the door, your name and your colours on the walls, and everything you've given them sitting on one screen. Not buried four deep in an email thread. Not a link that stopped working. The whole thing wears your practice, and our name isn't anywhere on it.

Putting the audio in takes about a minute

Pick the file, write the line underneath, save.
Pick the file, write the line underneath, save.

You upload the file and you write a line underneath it saying what it's for and when to listen to it. That's the whole job. It's the same screen you'd use to add anything else, so there's no second system to learn and nothing to set up before you can try it once.

Ask for a tick, not a report

Daily check-ins can be set up as a challenge, so what you're asking for each day is a tick rather than a report. Four seconds. Nobody abandons a four-second habit out of guilt, and guilt is what kills the two-week version by day nine. You can also release material in order rather than all at once.

You stop having to ask

The statistics screen. It fills in as your clients work through lessons.
The statistics screen. It fills in as your clients work through lessons.

Everything above is tidying up. This is the part that changes the session.

Open your client list and you can see who has worked through what. The awkward opening question becomes a question you already know the answer to, which is a kinder way to start a session for both of you.

What it really buys you is timing. If somebody has done none of it, you find that out on a Tuesday afternoon, while there's still something you can do: a two-line message, a shorter version of the recording, a smaller ask for the week. By the time they are back in the chair, the two weeks are already spent, and nothing you notice then can be fixed then.

It also settles the question you can't answer today. A client tells you the recording didn't help. Right now that sentence means two things at once and you have no way of telling them apart, so you handle it the same way every time, carefully and slowly, using session time. With the list open, the person who listened every day and needs something different stops looking identical to the person who never got started and needs it made easier. Those two have been getting the same appointment from you for years.

Give them somewhere to say one line

A message from a client, waiting where you work rather than in your personal inbox.
A message from a client, waiting where you work rather than in your personal inbox.

Most of what a client wants to tell you between sessions is a sentence long, and it never becomes an email, because an email feels like an imposition. So it waits two weeks and arrives as an aside while they're taking their coat off.

There's one to one chat in the same place as everything else, so the sentence arrives on the Thursday it was thought.

What the two weeks look like afterwards

The programme you kept not starting, on the morning you finally sketch it out.
The programme you kept not starting, on the morning you finally sketch it out.

They log in once and the recording is there with a line underneath telling them what it's for. They tick a box when they've listened. If they stop, you can see that they have stopped, and you can see it on a Tuesday rather than in the chair.

You walk into the session already knowing which conversation you are having. No detective work. No embarrassed pause. Ten minutes back, every time.

What this covers, and who it isn't for

Start with what it doesn't do. No software makes a tired person at nine at night press play. What it takes away are the four dull reasons the file never got opened, none of which have anything to do with the work you do. We haven't measured what that does to how often people listen, so there's no number here. The narrower claim is the one I'll stand behind: you'll know who opened it.

If everything a client sees has to sit on your own domain. You can point your own domain at your portal. What we do not offer is full white-label hosting, where every address a student sees is yours. Worth settling before you move anything.

If the recordings have to play offline - on a plane, on the tube, in a dead spot. Ask us before you commit. It's the right question for audio work, and the answer should come from us rather than from somebody's phone at the wrong moment.

If what you have already works. If your clients are opening the recordings and you can tell that they are, leave it exactly as it is. This is built for the practitioner who cannot tell.

If you're mid-programme with a group. Don't move people who are halfway through something, and settle [where the group itself belongs](https://coursespaces.io/blog/where-your-hypnotherapy-community-should-live.html) before you move anybody. Wait for the gap between cohorts.

The price, and what sits inside it

$47 a month. One flat price, nothing to decode.

That covers unlimited courses and products, up to 1,000 active clients, hosted video with 1TB of bandwidth a month, audio and PDF lessons, the AI course builder, the AI assistant, unlimited communities, chat, daily check-ins, certificates on completion and marked assignments if you train other practitioners. Extra video bandwidth is $10 per terabyte if you ever need it.

We take nothing from what you sell. You connect your own Stripe account and the money arrives with you, less Stripe's own 2.9% plus 30 cents, which everybody pays everywhere.

There is a 30-day money-back guarantee.

Try it on the next recording you would have emailed

Monday morning. Setting this up takes about as long as writing the follow-up email you would have sent anyway.
Monday morning. Setting this up takes about as long as writing the follow-up email you would have sent anyway.

There's a 30-day free trial and it doesn't ask for a card. Nothing happens automatically when it runs out.

Don't move your practice. Put one client's recording in it, the next one you'd have emailed. Write the line underneath. Then look, two weeks later, at whether they opened it and whether you had to ask.